Archive for July, 2007

The Light on the Hill, Part 32

I stand my watch at the gates and wonder at the creaking branches, shining my beacon against the clouds, telling my stories to the air till the train stabs my vertical line with its own horizontal. I shine my light on the wheels as they bounce past. If I see anything hung up, I call the engineer on my cell phone.

I have a cell phone now and I admit that I sometimes call numbers at random in the night and recite poetry into answering machines. Sometimes I write poems on menus. Sometimes I write haiku on bathroom walls. It is how art is corrupting me.

I miss bigfoot. I miss his singular presence at the tree line. I miss the hush he demands from the frogs and the crickets, the little grunt he gives that tells them all to shut up, so he might hear better what it is I’m mumbling. I miss the anarchy of his education. I miss his confusion.

I transcribe whatever he tells me. What choice do I have? There is nothing else to say.All we ever see are reflections. Glancing things. Somehow we avoid damaging ourselves on sources. We are great guessers, always bouncing our beams off things to decry their purpose. I stand sentinel at the tracks, beaming my light like lightning in reverse.

What more tentative reliance could make us dream? I trust my leaps. I trust my intuition. I believe that man is essentially good and if I beam from the core of me, I will express into the world a great certainty. New details will appear from the dark sky. We will learn to name things again.

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The Light on the Hill, Part 31

I am never alone in the forest. Everything breathes at me. I don’t need to eat hardly anything. In the trailer, where the fire tempts with its heat when I want the darkness at a distance, I have food hidden inside boxes.

In that place everything fingers the air, uncertain of which treasures to light upon. Everything becomes singular and demands inviolable rights. Everything sings of itself inside.

In the forest, everything is everything. What we need, we take. Sometimes things are taken in great gulps but mostly everything sips a little at everything else. We are only happy if there is misery. Only violent if there is peace to shatter. Everything rises so seamlessly from everything else, there is no need for names.

Here is the place of purple flowers among the brown-orange needles. The dash of mid-afternoon sun cuts across the purple trunks in alchemies that color the light. A scent of resin and rot bakes into the air. Somewhere there is lavender.

How can words make sense of it?

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The Light on the Hill, Part 30

Last night, I was baptized in the river.

There were others, in bird’s egg blue robes, being led in procession down to the water.

These were the afflicted who lay outside man’s protection. Here they were submerged in the water to come up sputtering. They sometimes came up a length away in the strong current, clawing to raise the river mud. Another man stood ready to help them out.

They had snuck beneath an invisible snag that could only be crossed with a new idea in the mind, a new irrefutable possibility. Each was led away, praising God.

God is the something to whom they owe their allegiance now. The thing that did not exist a moment ago in their minds, but now was revealed real enough, the idea good enough to cast aside doubt for.

I watched their faces as they went vulnerable as children onto the wash near the bridge by the park. I was crouching in the brush across the water. I haven’t shaved in a while. I’d been in the trailer thinking. I was more than a little hungry.

There was food spread on tables beneath the trees on the lawn. There were many plastic tubs that had not been opened yet.

I lay crouched in the weeds and snatched flies from the air and ate them miserably. A fish swam by. I grabbed it and ate it while it wriggled.

They now belonged to each other. They stood together in their underwear to change into dry clothes. It seems to me that if you are so pure and given to each other, you might as well make babies. It seems to me that they wanted to touch each other. They glowed with energies that they wanted to pass around. The old wanted to imprint themselves in the clay of youth. The young were eager for the shape of new promise. They wept and smiled. Strange.

I was eating the legs off a crawfish and crunching its shell for the last twitch of nerve impulse that pressed itself against me. I sucked that life straight out of it and into myself.

I watched the great scene of those people flaring up with life so the whole of them seemed to glow and pulse and slowly wane, like a guttering candle, to a more humane light. They were on course now straight and clear. There was no doubt or confusion in their faces. They were at peace. Believers, for some reason.

I waited until they sorted their tubs and sifted into their metal driving boxes and left. I pulled out the boxes and bags from the trash. I licked the scent of their fingers from the plastic points. I couldn’t help myself. I ate many things of plastic that were hard to pass.

While I was crossing the river in the first full dark, I slipped on the upset stones in the wash and dunked myself, fool that I am. I knew I would do it.

I was not changed. I came up sputtering and unhappy and very much alone.

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The Light on the Hill, Part 29


At some point, everything folds in on itself in that very way in which an illusion dies of its lie, collapsing onto the superstructure, pierced by its own bones.

I stood beneath a fast moving strand of clouds. It was shaping up to be a real boomer. There was no point for me to be out there. All the cows were in the barn. I could have gone at any time to open the gates. But there didn't seem much point in changing my routine. I stood in the empty field as the storm brooded away.

I wrote fiercely with my torch, telling who knows what to the stars. I was writing about bigfoot again, up there in the sky. What else could I do?

I was writing the story of bigfoot standing in my place writing the story of me on his own cloud-strewn night.

As I stood there on my vigil near the tracks, a great and ominous cloud spat spikes down into my light. Perhaps the heat of my beam catalyzed something within the thunderhead so it growled that unseemly groan.

I moved down toward the tree line and turned off my light.

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The Light on the Hill, Part 28

The strange bud, Part 6

There are other things in the wires, other juices. One of them is like a flock of birds that each take a kernel of sound and race down through the wire in a jumble to rest again somewhere else, just as they were before. No one can explain it to me. The little birds sing in little boxes and I am told they are born of the air, that sometimes the wires are not needed.

One of the wires carries the vision from the eyes and scatters it to everyone at the same time. There are many fascinating things beneath the ground that carry water, that carry the noxious gases into metal tanks like great boils full of poison.

Sometimes, the sky whirls around so fast it becomes alive. Sky creatures are very strong but rage themselves out quickly. Sky tantrums that come with storms sometimes, crackling, electric, spinning down from the clouds.

Sometimes the metal boils explode and great flames of death race out like vicious ancestors tired of neglect. Sometimes the earth itself shakes inside and everything gets shuffled on its back.

Sometimes a house burns down to the ground, just gives up all its ghosts at once in great conflagrations. A gaping maw breathes from the rooftop. Hoses are connected to pipes. Water is shot in great arcs into the coals while the pipes underground creak and complain. Other wires are cut loose. The house burns alone like a great mouth eating itself.

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The new art is the art of transparency

The new art is the art of observation.
Dragon-inspired hard scrabble of now.

The Light on the Hill, Part 27

The strange bud, Part 5

I've been practicing my small lip movements. Most people think I am hard of hearing, a mute. In fact, my hearing is quite keen. Whenever I hear a piece of music, I go into hysterics. But it helps me immensely when people speak slowly and clearly.

I visit the electric man whenever I need to express myself. He is teaching me to write. He thinks I will be able to say important things if I can only learn to juggle these funny boxes that mean sounds. He thinks the little leaves are the best place to speak. He things moving your hand over the strange bud is better than small lip movements.

I am not sure yet. I would like to have more friends than just him. I would like to be able to do and understand more in the cities. I would like to know what there is to see in farther places. I'd like to fly through the air in a great bird box. I would like to drive down the road in a motor box. I am very curious about the desert and what is beyond the big water.

The electric man is not interested in these things. He is like everyone else and wants to sit comfortably and stare at a little box and make small hand dances that are a sort of talking. He says he likes most of all to make the strange bud blossom.

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Xine’s flowers

Xine has begun an intense spurt of painting that she is capturing with her camera as she goes. It’s a delight to watch her process as she is extremely intuitive. One of my great pleasures in life is sitting in a chair with my notebook watching her paint.

Subscribe to her channel on YouTube to see what she’s doing:

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The Light on the Hill, Part 26

The strange bud, Part 4

I felt much renewed, sitting in the mended chair, having evacuated all other residents. I sat and stared the way that humans do. I tried to decipher why such a thing is preferable to walking.

There were power lines nearby. I stood beneath the wires and heard their hum. I knew they were full of lightning. I found a great coil of wire in a railroad shack.

I gave myself a mighty jolt and would have fallen from the pole had my pant leg not hooked on a bolt. My spine popped down the line like a shot. I dangled for a long while, upside down, exploring these new sensations.

After I recovered myself and spliced my wires more delicately, I climbed back down.

I ran the coil through the woods to the old man's trailer. The wall holes had no lightning there, but I'd seen where the wires connect.

I wish I had my job still so I might gather many useful boxes around me and watch them work. Take them apart and study all their diodes and capacitors.

I stared at the wall holes and felt the strange flow there, ready to run to some purpose, lapping like a shoreline, unable to race beyond.

I had an old set of keys I'd found while cleaning the trailer. I put them in the wall hole and sat shaking, holding it, feeling all the world race through me, all the juice of creation finding it's way into me again.

The holes stopped working and smoke came from inside the wall. The smell of singed hair was all over me.

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The Light on the Hill, Part 25

The girl with the goose egg, Part 3

Once she started, she would not stop talking. She wept into her coffee. She thought of her mother, how they'd parted ways over harsh words. She recalled a pet frog she'd kept in a shoe box all those many years ago:

She couldn't wait for school to end so she could be with her pet, her best friend. She would carry it so its long legs dangled like a funny man's. She made it wear funny hats of felt. She washed him once in the dish water and her mother got so mad that she took the frog outside and did something with it.

Silence followed. She could not recall a tantrum, just the inkling of madness that came first, the tears that could not stop until she was a different thing altogether, like someone who had been struck by lightning. The stab that was at first the loss of her dear friend, the only one she ever trusted, then that her mother had done this, her mother who did not love her, her mother who hadn't time for kid's things.

She wanted her phone so she could call someone. She tossed it down again. The waitress asked if she was okay while glancing skeptically at bigfoot. The girl asked for the bathroom. She never came back.

She left behind her chewing gum, stuck to the back of her broken cellphone. Some nights he chewed the gum and spoke into the mouthpiece all the things he was doing just then.

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